My Latest Cuneiform Practice Tablets

I wanted to practice my cuneiform writing on smaller projects before attempting a larger tablet I want to make soon, so I made a couple smaller things over the weekend.

𒆠𒋫 𒁺𒈾 – kita ĝena

The first is a “magickal” amulet meant to keep people (by “people” I mean my husband) out of the room while I’m doing ritual work. Or if I just feel like being alone. It has many uses! The cuneiform says “kita ĝena,” 𒆠𒋫 𒁺𒈾, which means “go away” (lit. “leave from here!”). I found this translation on a Tumblr blog called Sumerian Language. I put a hole with a ribbon through it so it can be hanged on the door.

I didn’t actually do any type of magickal working on it. It’s really more of a “privacy please” sign. If you need magick to keep the people you live with out when you need alone time, you should probably find new people…

𒁲𒄳 – Hello World

The second tablet says 𒁲𒄳, “Hello world!” I made it for my husband, who is a programmer. I just thought it was amusing to use the world’s first written language to make a representation of the first program everyone ever makes when learning a new programming language because I’m a dork. It is transliterated as “silim gulkin.” Silim, 𒁲, was used as a greeting, and literally means “to be healthy.” Gulkin, 𒄳, means “inhabited world.”

I found the “Hello World” translation on the same Tumblr blog as above. That blog seems really good for finding translations of things that are useful in the modern world. It appears that the author there frequently takes translation requests from other Tumblr users.

While making these tablets, I also figured out that this particular clay I am using requires about 3600 times more water than I think I should use while forming the tablets to prevent cracking (the air in my house is very dry). I’m still working on my technique, but I’m confident I can get them to actually look nice eventually. I’ll probably try a different brand of clay that someone recommended to me on FaceBook after I run out of my current supply, however.

Tell Brak Eye Idol/Burney Relief Mashup

A few months ago, I wanted to make a figurine of Inanna using some colored stone-esque Sculpey clay I found in my hoard of craft supplies. I’m not great at art, so I didn’t want to attempt anything too ambitious. I’ve always been drawn to the eye idol figurines that were uncovered in Tell Brak in what was once Northern Mesopotamia. They are cute and simple to make. I still have a few reproductions that I made about 20 years ago when I first got interested in Mesopotamian history/mythology as a teenager (I was a weird kid, which is probably why I’m now a weird adult). So I had the idea to combine imagery from the Burney Relief (aka Queen of the Night), an ancient relief sculpture that most archaeologists believe to represent Inanna/Ishtar.

I was originally going to make it all pink, but I didn’t have enough pink, so I used light blue for the details an accessories. I think the blue eyes work very well, considering blue eyes, typically made from lapis lazuli (considered a sacred stone), are seen in a lot of Mesopotamian art.

The original eye idols were mainly found in what is now Tell Brak in modern-day Syria. A smaller number of these sculptures were also later found in Tell Hamoukar. They are probably meant to be abstract representations of human worshipers meant as votive offerings to an as-of-yet unidentified deity or deities. The large, prominent eyes likely represent attentiveness to the gods, as do the large eyes seen throughout Mesopotamian art. They are NOT supposed to be “grey aliens” as the “ancient astronauts” conspiracy theorists claim. For more information than you probably want about these figurines, see The Eyes Have It: An In-Depth Study of the Tell Brak Eye Idols in the 4th Millennium BCE: with a primary focus on function and meaning (Honors Thesis by Arabella Cooper from the University of Syndey).

Example of a Tell Brak “eye idol,” Metropolitan Museum of Art. Gift of The Institute of Archaeology, The University of London, 1951

The Burney Relief, also known as Queen of the Night, is the best known image of Inanna/Ishtar, though there is some debate by archaeologist over exactly which goddess it is meant to represent. Most believe it is meant to be Inanna/Ishtar, though there are some who argue that it may be Ereshkigal or Lilith (Lilith is NOT a Mesopotamian deity. She is a figure from Semitic folklore). It is unknown where exactly this ancient work of art was actually discovered, as it wasn’t excavated archaeologically. It most likely originates from Southern Mesopotamia, but the exact site location is unknown. The relief features iconography commonly associated with Inanna/Ishtar, including the rod and ring symbol, lions, wings, and the horned headdress.

Burney Relief (Queen of the Night). Mesopotamian terracotta plaque depicting a winged, nude, goddess-like figure with bird’s talons, flanked by owls, and perched upon two lions. Height: 49.5 cm. Old-Babylonian, 19th-18th cent. BCE. British Museum

How to Make Cuneiform Flashcards from Clay to Study the Sumerian Language

I just finished Learn to Read Ancient Sumerian: An Introduction for Complete Beginners by Joshua Bowen and Megan Lewis (other than the additional exercises in the appendix), as well as their YouTube series that goes along with the book. I feel like I need to go back through the whole book and video course to really understand it and memorize everything, however. Verbal chains are hard!

Anyway, I had the idea to make little “flashcards” from clay to help me memorize the cuneiform signs. I made them for the signs shown in every chapter of the book. Here is an article I wrote on how I made them:

Learning to Read Sumerian: How to Make Clay Cuneiform Flashcards

I used air-dry clay for the mini-tablets and I made a stylus from a disposable chopstick that I whittled a bit to make the edges more defined.

I know my cuneiform handwriting isn’t the neatest, but neither is my modern handwriting.